Warning: This article contains spoilers for Netflix the home.
Netflix special three-part stop-motion animation the home It’s one of the strangest and most unique of the live-streamed editions, but the three stories work together to send a clear message and are a scathing critique of consumerism. the home She uses her multiple time frames and artistic techniques to represent the rise of capitalism and consumerism, its modern heyday, and its apocalyptic future. Through metaphor as well as direct photography, the home Both sympathetically depict why people engage in consumerism and its ultimate flaws.
Produced by Nexus Studios in the UK. the home It has been alternately described as a limited series and an anthology movie, with each segment having a different director and using different types of characters. The only factor connecting the house is the large house that seems to destroy everyone who inhabits it. Includes audio cast Enola HolmesHelena Bonham Carter, Mia Goth, Jarvis Coker, Susan Wokuma.
the home She has a number of surreal moments, such as a dance routine performed by termite-like “fur beetles,” and her separate stories may seem hard to explain at first glance. However, all three floors focus on selling and depreciating property in increasingly absurd conditions. These plots allow for a great deal of powerful commentary on consumerism and modern capitalism the homeThe true meaning.
Explaining the true meaning of home Part 1: The beginning of consumerism
first part of the home It features human-like shapes and is set sometime in the past in the English countryside. Although there is no exact time frame, the clothing and decor suggest this is the late 19th or early 20th century. This time period, about the same time as a series like gilded age And Downton Abbey It is set, and has witnessed the rise of consumer culture through emerging enterprises such as department stores and catalogues. the home This period is also used to depict the rise of consumerism through the construction of the house of the same name.
Netflix’s opening scene the home It shows why Raymond wants a big, bold home. He is judged by his aunts and uncles for his low standing in life and humble home. Consumerism, in the form of a seemingly free new home, appealed to him as it did to other Victorians as a way to offset divisions in class and wealth. After all, in the late nineteenth and early twentieth centuries, the wealth gap grew exponentially, as industrial and baronial families acquired vast wealth through uncontrolled capitalism. But Raymond and his wife Penelope become obsessed with their physical surroundings, destroying the old property they had an emotional attachment to.
The first part ends with a touch like Netflix’s dark endings black mirror. Frederick and Penelope are physically transformed into missing pieces of furniture, a chair and a curtain set, respectively. Only their daughter Mabel, who is never invested in the charm of the house, is able to escape. the home The true meaning of the first part is that consumerism makes Raymond and Penelope prisoners of their possessions, and ultimately they object to themselves.
Explanation of the true meaning of the second part of the house: the capitalist rat race
Netflix’s second part the home Moving into the modern era, it stars an unnamed developer trying to renovate and sell a dilapidated home. The concept of ‘flipping’ is a common one today, largely in keeping with modern capitalism, valuing real estate and other goods not for any use-value but merely for their ability to resell them at a higher price. This was particularly evident in the recent speculation about cryptocurrency and NFT, which touched on everything from Dune Video game art books. However, the home The second part suggests that such speculation will eventually not be able to feed the endless hunger of consumerism. The characters in this section are depicted as rats, a reference to the “rat race” metaphor to express the endless hustle and bustle of modern business.
The unnamed developer, like Raymond, is a sympathetic character. He is constantly under stress due to various house problems, and struggles to maintain a professional appearance. But in the end, the stress of trying to cash in on the housing market drives him crazy. It turns out that the developer did not make his stressful calls to a loved one, but to his dentist, a man he barely knows and wants him to stop. Like parasitebleak end, the home The second part finally suggests that insanity is the only possible end to the pressures of consumption.
In the end, instead of selling the house, the developer allows it to be taken over by a strange group of creatures that look like hybrids of human-like mice and “fur beetles” that have been driving him crazy. They only engage in hedonistic behavior, house-breaking at their parties. This also appears to be the ultimate horizon of consumeristic desires that the developer hopes will make him rich: endless destructive and selfish consumption.
Explanation of the true meaning of the third part of the house: climate apocalypse
last part of the home It is located in a flooded area where the house of the same name is the only thing above water. The floodwaters don’t seem to go away, so this future where climate change is likely to be a popular subject for films like do not search, caused a significant rise in sea level. This also fits the homeA critique of capitalism and consumerism, which are often accused of being responsible for the dramatic rise in greenhouse gases.
characters in the home The third part is depicted as cats, the natural predators of rats in the previous part. Rosa tries to renovate the house and turn it into an apartment building, but struggles with unskilled tenants. Normally, the audience would sympathize with Rosa. However, in a flooded and apocalyptic world, Rosa’s desire to move forward as usual and earn money is folly, and the desire of the tenants to relax and live on the land is quite reasonable.
the homeThe ending indicates that consumerism will eventually lead to its downfall. In the face of climate change, continuing to buy and sell goods is madness. This is the same point made in Apocalypse films such as George Romero’s The dawn of the dead. Netflix the home It does not offer a clear solution to the problems created by capitalism and consumerism. instead of, the homeThe real meaning is that, like Rosa and her tenants, humanity must abandon the sinking house of consumption and navigate into the unknown.
Next up: Netflix’s The House: All three story endings explained
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